Simple forms are often the most enduring.
This signed studio pottery bottle vase, dated 1967, features a rounded body, a narrow neck, and a layered earth-toned glaze that shifts between warm brown and soft olive hues. The subtle variations in color and the visible throwing rings speak to its handmade origins, while the balanced proportions give it a quiet sculptural presence.
Beautiful displayed on its own or paired with other pottery and natural materials, this piece brings warmth and texture to a shelf, tabletop, or cabinet. Its appeal lies not in ornamentation but in form, craftsmanship, and the rich character of the glaze.
The colors evoke weathered clay, river stones, and the muted palette of the natural world—qualities that make handmade pottery feel timeless and easy to live with.
Signed by the artist on the underside.
Approximately 5 ½“ high and 4 ¼” in diameter.
Vintage condition consistent with age and use, but no chips, cracks, or repairs. Please review photographs carefully for details.
Simple forms are often the most enduring.
This signed studio pottery bottle vase, dated 1967, features a rounded body, a narrow neck, and a layered earth-toned glaze that shifts between warm brown and soft olive hues. The subtle variations in color and the visible throwing rings speak to its handmade origins, while the balanced proportions give it a quiet sculptural presence.
Beautiful displayed on its own or paired with other pottery and natural materials, this piece brings warmth and texture to a shelf, tabletop, or cabinet. Its appeal lies not in ornamentation but in form, craftsmanship, and the rich character of the glaze.
The colors evoke weathered clay, river stones, and the muted palette of the natural world—qualities that make handmade pottery feel timeless and easy to live with.
Signed by the artist on the underside.
Approximately 5 ½“ high and 4 ¼” in diameter.
Vintage condition consistent with age and use, but no chips, cracks, or repairs. Please review photographs carefully for details.
